The f-word is everywhere
By Roy Peter Clark
updated 8:25 AM EST, Thu January 9, 2014
Wall Street is a place of
near-mythical competition, ambition and greed -- and, as a result, it's
also the setting of some of our favorite Hollywood films. On Christmas
Day, Martin Scorsese and Leonardo DiCaprio will paint a portrait of a
fraudulent stockbroker living a criminally high life in "The Wolf of
Wall Street," which is based on the true story of Jordan Belfort.
Editor's note: Editor's note: Roy Peter Clark
is senior scholar at the Poynter Institute in St. Petersburg, Florida.
He is the author of books on writing and language, including "How to
Write Short: Word Craft for Fast Times." This essay contains some words
and ideas taken from his earlier essays on the topic of language taboos.
He can be reached at rclark@poynter.org.
(CNN) -- Not long ago I received a complaint from a
co-worker that I had used the f-word in a tweet. I was quoting a lyric
from the band Vampire Weekend: "Who gives a f--- about an Oxford comma?"
My answer was, of course, "I do." The full quote, without the fig leaf,
appears in my book "The Glamour of Grammar."
I come by my f-wordiness
honestly. My grandmother used it easily and could swear in three
languages. My mother -- at the age of 94 -- drops an f-bomb in every
telephone conversation. During a trivia game at her assisted living
home, she could not think of the name of Peter, Paul, and Mary's magic
dragon, so she blurted: "F--- the Magic Dragon," which now has become
the family's official title for the song.
Roy Peter Clark
The f-word is almost
everywhere. While still not fit for polite society, it no longer carries
the depth of taboo attributed to it in 1978 by that hero of foul
mouthery George Carlin, who said in a comic monologue: "The big one, the
word f---, that's the one that hangs them up the most."
Its common usage in
popular culture today may have transformed it into one of the most
versatile words in American English. It might qualify as the word of the
new century. But is that a good thing?
Setting records on screen
The recent opening of the
Martin Scorsese film "The Wolf of Wall Street" has inspired critical
and popular complaints about its excesses, including its language. I
have not yet seen the film, but am grateful to the dirty word counters,
who have recorded a total of 506 uses of the f-word in the three-hour
movie. Wikipedia, Variety, Time and various other sources cite this as a
record for a non-documentary film, beating Spike Lee's "Summer of Sam"
(435), and two earlier Scorsese projects: "Casino" (422) and
"Goodfellas" (300).
Versions of the f-word appear so often in "Wolf" that an accurate count might be impossible.
Slate's total comes in at 544. (I hope I don't see a Politifact report contesting these numbers.) "Summer of Sam" appears
to keep the record for most fpm: f-words per minute, at 3.1. "Wolf" does
beat "Casino" on this metric. In his mischievous book of lists, Karl
Shaw calculates that a viewer of "Casino" will hear the f-word on the
average of 2.4 times per minute. For "Wolf" it's 2.8 times.
'The Wolf of Wall Street' backlash
DiCaprio on 'Wolf of Wall Street'
How things have changed.
I remember with
surprising clarity the first time I used the f-word. One of the
Masterson brothers told me a joke, and he thought it was so funny I ran
home to tell my mother. She didn't laugh and made me repeat it to my
father. It was 1956 or so. I was, maybe, 8 years old. Things did not go
well.
I went to work with my
dad one day, a United States Customs officer on one of the New York
piers. A group of men stood inside, including some rough-looking
longshoremen, who dropped the f-word loudly and often into their gritty
conversation. Several men, alerting them to my presence, told them to
stick a cork in it. Even in their gruffness, they looked sheepish and
apologetic.
First encounters
I remember exactly where
I was standing the first time I heard a girl my age use the f-word. It
was 1967 and I was a sophomore in college. She sat on the ground, a
hippie chick, smoking and grousing about her inability to score tickets
for the Newport Folk Festival.
And I know exactly where
I first encountered the f-word in print. I was a freshman in high
school, and the book was called "The Catcher in the Rye," a work on many
lists of the most often banned books. J.D. Salinger uses the word five
times in "Catcher" with great power and specificity. I still own the
book where I underlined each use of the word.
I remember the teachers
who tried to convince me that the main problem with the f-word was not
its power to offend, but the evidence it gave of your limited
vocabulary. I blew that criticism off back then, but I'm beginning to
think they were on to something.
Not that the f-word
isn't an amazingly versatile piece of our four-letter Anglo-Saxon
heritage. Think about it. It can express surprise, outrage, anger,
humor, delight or desire. And it can stand in for several parts of
speech: noun, verb (in any tense), gerund, participle, imperative,
interrogative, interjection, to mention just the most common uses.
It can be used with
other little prepositional helpers. You can f--- with someone's mind.
You can be too f---ed up to walk. You can get f---ed over by the IRS.
A rare language form
Let's not forget use of
the f-word as one of the rarest of language forms, the infix. A prefix
comes before a word. A suffix comes after. An infix appears in the
middle of a normal word or phrase, as in "You are damn f---ing right."
Or "un-f---ing-believable." Or as they like to moan in Boston when
thinking of the New York Yankees victory in the 1978 playoff game:
"Bucky F---ing Dent!" It was the light-hitting Dent's timely home run
that ruined the Red Sox season.
All this and more is
chronicled in the recent 270-page lexicon titled "The F-Word," by Jesse
Sheidlower, editor at large of the Oxford English Dictionary. Lex meets
sex.
Perhaps the ultimate
expression of the f-word's versatility comes in a famous scene from
David Simon's HBO series "The Wire" in which two detectives explore a
crime scene. The scene takes less
than four minutes, during which the cops use versions of the f-word, by
my count, 34 times. It is the only word used in the scene.
As they look at crime
scene photos of naked and murdered women, the word expresses disgust. As
they examine the conflicting evidence, the word describes frustration.
As they begin to piece things together, it describes mounting
excitement. When they find a key piece of evidence, it is a word of
celebration.
Offensive from the beginning
The f-word has a long
history, and, unlike some other taboo words, seems to have been
offensive from the start. Just as newspapers and this website put a veil
over the word by eliminating some letters, the earliest known version
of the word in English was written in code.
According to the
American Heritage Dictionary, an English poem dated about 1500 makes fun
of clerics who don't keep their vows, including a line that translates:
"They are not in heaven because they f--- wives of Ely" (a town near
Cambridge). In the text, the f-word appears in the form of a letter
substitution code.
Though still considered
vulgar slang, the f-word is more prevalent than ever, and is often cited
as evidence of the coarsening of our culture. The publisher of "The
Naked and The Dead" asked Norman Mailer to substitute "fug" in 1947. Six
decades later, the f-word is a staple in hip-hop music, stand-up comedy
routines, locker room harangues, pornographic repartee, and any movie
or cable television series that tries to portray gritty, realistic
dialogue. Cops use it, thugs use it, even grads with Ph.Ds use it.
I am making the case
that, given its ubiquity and versatility, the "f-word" is one of the
most important words of the 21st century, which is why we should pay
close attention to how it can be used well.
Given its ubiquity and versatility, the "f-word" is one of the most important words of the 21st century...
Roy Peter Clark
In previous essays on language, I have offered these justifications for dropping the occasional f-bomb:
1. As an authentic expression of realistic human speech.
2. As a single, shocking, almost-out-of context blow to the solar plexus.
3. As a neutralizer to the poison of piety, fastidiousness and erudition.
4. As a way of defining character.
None other than Theodore
Bernstein, the influential style czar of The New York Times, once
published this opinion: "There is not ... a single transitive verb in
respectable or even in scientific language that expresses the idea of
the slang verb f---."
Using and overusing the f-word
Perhaps the most moving
use of the f-word I ever encountered came in the documentary 9/11 by two
French brothers, who were telling the story of a firehouse in New York.
During the filming, two jetliners flew into the Twin Towers, changing
the way Americans look at the world. Even though the show ran on
commercial television, we were given a chance to hear, uncensored, the
rough emotional language of a fraternity of brave men facing their
greatest challenge. Real life.
There is a numbing
quality to overuse of the f-word. Shock and stark realism can be created
without it. You won't find it in the novel "The Great Gatsby," or the
recent film version, which, like "Wolf," stars Leonardo DiCaprio. I
don't remember hearing it in a Jerry Seinfeld monologue.
In "Breaking Bad", the Walter White character used the f-word sparingly. I like it best when it
is used rarely and in a perfect context, as when it comes out of the
mouth of the character Walter White, the high school chemistry teacher
who becomes the drug lord of "Breaking Bad." When he first utters it in
rage and frustration at a moment of great pain, it has as much power as a
gun blast.
It works best when
delivered at just the right dramatic moment. To keep up with the
Scorsese rate, the characters in "Breaking Bad" would have to utter the
f-word about 140 times -- in each 47-minute episode.
